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Tales from the Mediterranean. Stories Behind the Images. Award winning Travel Writer Troy Nahumko's writing platform.
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| Los Eslim Reloaded in la Calle Gerona, La Alquitara Festival de Blues Bejar Photo @Ruben Martin |
“Woke” was never about arguing over coffee orders or policing T-shirt colors. It wasn’t about trends, lifestyle choices, or the internet’s latest moral panic. It meant being awake. Aware. Eyes open to injustice, ears tuned to warning signals. Watching out not just for yourself, but for others. Because danger doesn’t always knock — sometimes it creeps.
And let’s be clear: this isn’t about someone else’s rights, or problems that belong to other people in far-off places. What’s coming isn’t targeted — it’s sweeping. The erosion is real, and it’s accelerating. They're not just coming for "them." They're coming for you, too.
The forgetting is deliberate. The ridicule is strategic. That’s why remembering matters.
So best listen to Huddie Ledbetter , Lead Belly, who said it plain: ‘Stay Woke.’
Because they always come in the dark, and asleep is exactly what they’re counting on.
Click over to read more in my latest article at CounterPunch.
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| Piscina natural (wild swimming hole) Villasbuenas de Gata |
On Benches, Boulevards, and the Beauty of Belonging
One of the things I’ve always admired about life in Spain is how public public space truly is. A square is not something to pass through—it’s something to dwell in. A bench belongs to whoever needs a rest. A park, a pool, a plaza: these are shared extensions of daily life, not fenced-off amenities with wristbands and surveillance.
And most striking of all? There’s no shame in simply being there. No sideways glances. No sense that you’re “loitering.” That concept—so ingrained in Anglo-Saxon cultures—has never taken root here. Until now, maybe.
In my latest Camino a Ítica pieces, I reflect on the creeping encroachment of privatization into Spanish public life—how the very spaces that have long defined a more open, inclusive way of living are now being reshaped by the quiet return of austerity, market logic, and the ever-watchful eye of exclusivity. Read the piece in English in SUR in English or the Spanish version in the HOY.
Because once we stop noticing the velvet ropes going up around us, it might already be too late. (PDF en castellano abajo)
"Travel is fatal to prejudice, bigotry, and narrow-mindedness."
— Mark Twain
Samuel Clemens, the master of irony, wrote this during his "Grand Tour" around the Mediterranean in the late 1800s. It's a truism that doesn't always stick — not everyone becomes wiser through travel. But even for the most seasoned travelers, the road can still deal out unexpected lessons in humility.
In this week's Camino a Ítaca, I revisit one of those personal lessons — a journey through Iran that served up reality in heavy, humbling doses. As the war drums beat louder and popular narratives cast everyone in ancient Persia as villains from that awful 300 movie, Twain's words feel more urgent than ever.
Click through to read the longer English version in Counterpunch or read the version in Spanish over at HOY. (PDF en castellano abajo)
Thus was born: “How pure is pure enough? Asking for a carpenter from Nazareth.” in the SUR in English.
It’s a short ride through cultural absurdity — a landscape where being “too foreign” is a sin, but eating a Big Mac while complaining about immigrants is perfectly fine. If you’ve ever wondered whether your curry is unpatriotic, or if your neighbor’s flamenco isn’t pure enough to pass inspection — congratulations, you’re already in the story.
So pour a stiff drink, adjust your tinfoil hat, and click the damn link. The purity police are already watching — might as well give them something to read. Click over to read the Spanish version in the HOY or read below. (PDF en castellano abajo)
This wasn’t your typical, “Is
everyone feeling alright? Let me hear you say, yeah!” It was more a plea than a
rousing chant. Halfway through her set it sounded less like
a chant than a last-ditch appeal to connect with the swelling crowd. She shaded her eyes against the
late-afternoon Thursday sun, spun on her heel, artfully flicked the fringe of her
dress and shouted, “I love the landscapes of this region, vamos
Extremadura!”
Silence? No—its opposite.
Her heartfelt appeal was
met with heroic indifference in the form of an incessant drone of humanity. Her
words vanished into an insectile hum—cicadas fed through a distortion pedal and
Marshall stack. She had hauled her art up from Andalucía only to meet a giant,
collective mute button.
This was lip syncing in
reverse. The performers were trying to sing, making every effort possible to
connect with the audience. The band nailed every note, but
the PA returned nothing except a muffled sludge—felt in the gut, unintelligible
in the brain. The stage
became a rolling Instagram backdrop for
the considerable number of people who, despite the ban on the botellon, still
seemed to think the stage was simply some sort of elaborate photocall for their
corrillo selfies. Any hope of a real cultural exchange fell
from the sky like strangled doves, the notes dying before they cleared the
first row of concert-goers.
Thursday’s sonic fiasco was merely prologue. On
Friday evening, after a cursory sound-check during the break, the band struck
up to welcome Africa’s premier diva, five-time Grammy-winning Angélique Kidjo.
Draped in vivid African print, she strode to centre stage, leaned back, and
loosed that titanic voice—only for the impotent mix to shrink it to a whisper.
It was a Zoom call out of sync: her mouth moved, but neither the lyrics, the
snare, the percussion, nor keyboards survived the journey across the plaza.
Those who cared about the music faced a no-win
choice: wander the plaza in search of a sonic sweet spot that never
materialised, or stand rooted in front of the stage, forced to watch Angélique
Kidjo endure the slow humiliation of being reduced to lip-reading practice as her
roar arrived as a rumour.
“WOMAD isn’t what it was,” you hear. How could it
be? Thomas Wolfe was right: the road back home is closed for renovation. Thirty
odd years have rewritten Cáceres and its people. The provincialism that was
once turned on its head is now resigned. The franchises and outside world have
moved in. The festival itself has been outsourced in layers, until all that
remains of Gabriel’s founding vision is a logo rented by the hour.
The festival’s supporters cling to the brand like
a VIP wristband—never mind that the bar ran dry years ago, terrified that any
criticism might cancel Cáceres’ only mass gathering not dedicated to the celebration
of death, be they prophets, virgins or bulls. If WOMAD really preaches
tolerance and respect, it should start at the mixing desk and give the artists
the basic courtesy of being heard.
If WOMAD can’t or worse, won’t fix the faders,
perhaps it’s time to stop renting nostalgia and look beyond the franchise.
| Modern Herodotus |
In my latest piece over at rabble.ca, I explore how Canada's evolving relationship with the U.S. reflects much more than just political tension—it’s about identity, values, and what it means to forge a path forward in an increasingly polarized world. I take a hard look at the historical dynamics between our two countries and ask the question: can Canada offer a better example for the future?
The piece, Dear America, We’re Just Not That Into You, dives into everything from the rise of political extremism in the U.S. to how Canada’s commitment to solidarity, equity, and compassion could become a guiding light in these turbulent times. It’s a bold take on what might be next for our neighbor to the south and the role Canada could play in shaping a more hopeful future.
Bitten Tongues, Buried Truths
The Peta Zetas hit your tongue like a .44 magnum
in a janitor’s closet—a chemical blast that made Sydney’s New Year’s fireworks
look like damp sparklers in trembling hands. FACT: Even now, nearly fifty years
later, just closing your eyes summons the ghost of that taste, and your taste
buds explode.
It wasn’t just the sugar slamming your bloodstream
with the raw voltage of a faulty electric chair in one of those backwards
states where governors still get aroused signing death warrants—no, it was the
savage anticipation that wrought your young brain. After a week of pure
psychological warfare dished out by the penguin-suited masochists who made
Dante look like a travel brochure writer, this was the reward.
But that torment was only half as excruciating as
waiting for that dead-eyed priest to finish his cosmic threats about your
immortal soul being flame-broiled for eternity, just for the audacity of thinking
a human thought. But that was Grandpa's rule, man—that duplicitous rogue— No candy until after Sunday mass.
Sunday morning memories
with your grandfather were like those Peta Zetas—intense, intoxicating,
impossible to shake. These candy rituals became the
scaffolding of love in your developing brain—twisted, perhaps, but genuine. Old
men don't reveal themselves to children directly. They speak through rituals,
through candies after mass, through calloused hands on shoulders. You hold
these memories like delicate birds, afraid to squeeze too hard. Because while you were busy chasing sugar highs, he
was feeding you something else entirely—stories.
They started sweet, those
tales. Heroic yarns about order, discipline, the glory of the ‘before times.’
But bite down too hard, and the cracks showed. A sneer at the ‘weakness’ of
democracy. A toast to men in crisp uniforms who ‘knew how to clean up the
filth.’ By the time your tongue caught the sour beneath the sugar, it was too
late—the aftertaste was already in your blood.
Funny, how the brain
works. It lets you keep the warmth of his laughter, the wrinkled grip of his
hand around yours, even as it tries to vomit up the rest. You can still taste
the candy, yet you can still hear the sermons—both kinds. The ones from the
pulpit, and the ones from him.
But time is a savage editor. The older you got,
the more you noticed the newspapers he read and the hateful programs that
droned through Sunday afternoons after church. The casual remarks about ‘those
people’ that slithered into lunch conversations. A clear conscience is usually
the sign of a bad memory, especially when a civil war is concerned. We all hunt
for rationales for believing in the absurd, some are just better at it.
Maybe that's what haunts
you most about those Peta Zetas—not just their explosive sweetness, but how
they represent your own complicity. Every Sunday you took the candy without
question, building monuments of affection to a man whose ideological compass pointed
straight to hell. Was your childish love blind, or was it bribed into silence for
a few pesetas?
There's no neat resolution here, no morality tale with a tidy lesson. Just the wrenched reality that humans can simultaneously be sources of tenderness and vessels of hatred. Some memories remain fundamentally corrupted, like beautiful fruit grown in poisoned soil. Kundera warned that the struggle of man against power is the struggle of memory against forgetting.
Ominously, it seems that many have willfully chosen the latter. In burying history, Spain doesn’t just forget its sins—it sugarcoats them, passing poisoned sweets to generations to come.
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| Sana'a, Yemen |
Over twenty years ago, I lived in Yemen. Decades later, I found myself receiving WhatsApp messages from friends and former students in Sana’a—as bombs rained down around them. Real-time updates from people I cared about, living through hell. That experience will never leave me.
What I didn’t expect was to see that same war discussed in a Signal group chat by U.S. officials—punctuated with emojis, fist bumps, and the tone of a frat party watching drone footage like it was Call of Duty.
This past Sunday, CounterPunch, one of the few American outlets with the guts to run it, published my longform piece:
👉 “Yemen in Flames: From Depraved Spectacle to Signalgate”
It’s a dark, sharp, and deeply personal chronicle of how Trump-era officials planned airstrikes on Yemen with the casual detachment of gamers, turning mass death into a grotesque kind of entertainment.
📌 From screenshots of chats to the dehumanization of entire populations, the piece shows how modern warfare has become performance art for sociopaths in positions of power.
The line between
continents blurs up here, lost in the madness of these mountains—great, hulking
beasts with snow-drenched peaks, their ridges twisting like the spine of some
prehistoric leviathan sprawled between the Black and Caspian seas. Less a
boundary between East and West than a stone-fisted barricade between the East
and the even more bewildering East.
For centuries, they’ve
loomed like bouncers at one of history’s rowdier saloons, keeping the
Indo-Europeans and the rough-and-tumble Caucasian and Turkic tribes apart. The
Russians and Persians have played tug-of-war over this place for generations,
and yet, in one of history’s great absurdities, these crags somehow manage to
carve Orthodox Christian Georgia and Armenia away from the Muslim-majority
north—except for Azerbaijan, which juts into the Caspian like a defiant middle
finger.
We had left the sleepy
village of İlisu in Azerbaijan and were hiking toward Russia, following the
glacial Kurmukh-chai River as it cut deeper into the mountains, pushing forward
with the simple plan of going as far as we could until someone in a furry official-looking
hat stopped us.
Along the way, we met a
shepherd who greeted us in a singsong Azeri. When it became clear we understood
nothing, his wizened, weathered face darkened with suspicion before he switched
to the language of the empire, the tongue of the Tsars. Still, nothing. Our
blank stares unsettled him.
How could we not speak
Russian? To unravel this mystery, or perhaps to confirm we weren’t
extraterrestrials, he pulled out an old bottle of homemade honey vodka, still
stamped with the fading letters CCCP and poured us each a stiff drink. Through
wild gestures and, eventually, song, we pieced together his bewilderment: that
someone might not speak Russian simply did not compute. It was as if we had
told him the sky was not, in fact, blue. This did not fit in with his
worldview.
I was reminded of this the
other day while out for cañas. I don’t even remember how the conversation
started, but at some point, one of the older parishioners of the bar looked
over and said, “What kind of name is that? Troy? I mean, what’s it short for?”
I wasn’t sure where this
was going, but I told him it wasn’t short for anything, it was just Troy.
“Impossible! That’s no
name. There’s no San Troy. It must be short for something, like… Troncio.”
In no mood to argue, I
explained that it came from the tragic city of Priam and turned back to my
drink. But he wasn’t finished.
“Impossible! Troya would
be female, and you have a beard!”
I tried to steer the
conversation toward football or jamón, safe topics, national pillars, but no.
He was deep in the trenches now, determined to restore order to a world where
all proper names must have a saintly origin or at least a good Catholic ring to
them.
Finally, he delivered his
verdict. “You need a real proper name.” He thought for a moment, then grinned
over his half empty glass of Veterano. “Something like… Manolo.”
“Sí, Manolo!” A name as
sturdy as a pair of alpargatas, as dependable as a midday siesta. The matter
was settled and he ordered another drink.
I nodded and accepted my
fate. After all, at least he didn’t suggest Jesús.
Imagine if I had told him
my surname?
| JD Vance comes to Europe |
Then to his wonderment,
through the settling snow came the most magnificent parade he had ever
witnessed. The lantern-bearers came first, their paper lights casting pools of
golden radiance across the whiteness. Behind them processioned ranks of samurai
in silk hakama, their sword hilts gleaming. Musicians followed, their flutes
sending haunting notes into the winter air. The gifts came next - lacquered
boxes bound with silk, their contents worth more than a farmer would see in a
thousand lifetimes. And there, at the heart of this splendor, moved the bride
herself, her wedding kimono so fine it seemed to float above the snow.
As Tadahiro let this
assembly pass, his old friend Taro happened upon the scene. What followed was
one of those moments when reality itself seems to split along its seams. For
where Tadahiro saw nobility and splendor, Taro saw only a troupe of foxes,
padding through the snow with twigs in their mouths.
"Have you lost your
senses?" Taro demanded and then mumbled something, watching his friend bow
deeply to what appeared to be nothing more than common forest creatures.
"They're only foxes!"
Taro’s harsh words acted
like a spell-breaking charm. In an instant, the magnificent procession
dissolved like melting snow, leaving only a line of foxes trotting through the
snow, carrying nothing but sticks that Tadahiro's enchanted mind had
transformed into all the trappings of a noble wedding.
Japanese kitsune
legends remind us that sometimes the veil between worlds is as thin as a
snowflake, and reality itself might depend entirely on who is doing the
looking.
These mischievous foxes
still have the power to enchant. Just recently, the branches in their mouths spelt
out in enormous letters a headline in the Economist, “Spain shows Europe how to
keep up with America’s economy.” It then ranked it
the best performing economy of the OECD based on performance in the last
year.
Yet even though the Economist isn’t precisely
known as radically left-leaning, enchanted right-wing commenters steadfastly
believed the pablum spooned to them by the Spanish conservative press. They
assured that the country had banned private property and was two small steps
away from becoming a bankrupt Maoist dictatorship.
Their confirmation bias simply wouldn’t allow them
to see the foxes for what they were. They weren’t seeing a cadre of billionaires
and their evil minions openly moving to gut the Welfare State. Instead of
seeing things like Milei’s chainsaw for what it is, a tool designed to take
away their pensions, socialized medicine and education and do away with limits
on working hours and minimum wages, they saw a magic wand that was going to
make them too wealthy and upwardly mobile. Just like hardworking Abascal and
his patriot friends.
Just what did Taro mumble that broke the spell?
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| Castillo de Montánchez |
I’m starting to suspect
that everything that comes out of Hollywood isn’t quite real. I’ve been there on
many occasions, seen the white letters up on the hillside and tripped over the
junkies on Hollywood and Vine. So, I know that the place in fact exists. It’s
what it has produced that I am no longer certain of.
I’m picturing Gregory Peck
and Anthony Quinn climbing the cliffs of Navarone. Or maybe something lighter
when Steve McQueen and Charles Bronson make a Luftwaffe colonel’s life impossibly
complicated as they try to escape.
We don’t even have to
reach so far back to find more films on the same theme. We’ve seen Stephen
Spielberg direct Liam Neeson in a most harrowing film about a terrible list and
Tom Hanks searching for Private Ryan. Or perhaps more recently, Christoph
Waltz’s unparalleled quiet, yet menacing depiction of pure raw evil. One that
might even approach the heinous malevolence of someone like Reinhard
Heydrich in Tarantino’s inglourious
remake.
For eighty years Hollywood
has churned out constant reminders of the monumental struggle that took place
in the 30s and 40s. All are, in their own fashion, depictions of a time when
things were remarkably black and white. The false Hollywood narrative of cowboys
and indians temporarily replaced by something more easily digestible. On one
side we had people fighting for supposed freedom and democracy. While on the
other, supporters of authoritarian regimes who had no compunction about sending
millions of people who didn’t fit into their mold to their deaths in purpose-built
extermination camps from Fuerteventura to Rivesaltes to Birkenau. Hitler,
Mussolini and Hirohito’s defeat and the subsequent freeing of the concentration
camps have flooded our screens ever since.
In Spain however it would
take another 40 years. Franco was never toppled He died peacefully in bed with
his death marking the beginning of the end to perhaps Europe’s longest
dictatorships. At last, the good guys had beaten the baddies and fascism seemed
to have finally been put to rest.
But then something happened. It came back.
Four years ago the world
watched a violent mob try overturn a free and fair election. Nazi flags were
seen flying in the Capitol building of a country that lost 400,000 plus lives
fighting the very ideology invading its legislative core. Worse yet, the coup
attempt’s leader, Donald Trump, has now been reelected. In Italy, an open
supporter of Mussolini now runs the country. At the same time, in the cradles of
the most atrocious crimes of the 20th century, Germany has seen a
surge in support for the far right, while in Austria Nazi supporters may form a
government.
In Spain, young people
blithely sing fascist songs on school outings while more and more women look
back fondly on a dark period when they had next to no rights. Regime apologists
now sit in all levels of government and in attempts to whitewash the past, the
traditional right has joined them in attempts to repeal laws reminding us of past
horrors.
In a world where Mayor Stasser has become the good guy and Rick Blaine the bad, you no longer need dystopian movies, just pay attention. Please Sam, don’t play it again.
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| The Three Wise Men woken by an angel Maestre Gislebertus, h. 1130 |
Modern-day Tehran tumbles out of the Elburz mountains like an unspooling roll of chimerical fabric. It starts out fresh and clean but as its splendor runs out, it becomes dustier and more frayed at the edges as it loses altitude and peters out on the doorstep of Kavir, the Great Salt Desert. In a question of 30kms the metropolis plunges 600m down from the modern, wealthy mountain heights in the north, through the dense smog that perennially chokes the megacity and then fades into the humbler, haphazard developments and villages it has swallowed up along the fringes of the desert.
In one of these towns, now engulfed by the
metastasizing capital, still stands the ancient caravanserai stop of Rayy. A
place where a young Italian named Marco Polo just might have passed through in
the XIII century enroute with his destiny with the great Mongol Emperor Kublai
Khan.
Further along the Silk Road in Saveh (or Kashan
depending on your transliteration), the Genovese youngster encountered a square
building housing three sepultures, each boasting an unblemished corpse complete
with hipster beards and stylized hair. He asked around but no one was able to
tell him who these incorruptible Methuselah were.
It was another three-day journey until he found out
that they were three ‘kings’ who had set out from the East to worship a prophet
in Judea. With them they carried the classical bling of the day, Gold,
Frankincense, and Myrrh. These gifts were in fact chosen to ascertain whether
the prophet was a God, an earthly King, or a Physician. If he took the Gold,
then he would be your typical Bourbon or Windsor, that is to say an earthly
king. If he fancied the Incense he was a God and if he was after the mysterious
Myrrh he was a Healer.
After conferring with Herod, these magi finally found
the baby prophet. The youngest went in first and found the child apparently
just like himself. The middle one entered next, and like the first, he found
the prophet seemingly of his own age. Lastly, the eldest went in and wouldn’t
you know it, the same happened to him. To clear up this circus trick they
agreed to go in together and to their surprise found a baby that was just
thirteen days old. Amazed by the miracle, they presented their gifts and in a truly
trinitarian move, the child took all three. In return, the child gave them a
small, closed box.
We know curiosity kills cats, and the same might be
said for camels. The three kings couldn’t wait to get home to open the box and
when they finally did, they only found a small stone. In their disappointment,
they tossed the stone into a well only to be surprised by a flame bursting up
and creating the everlasting light that would become the foundation of another
of the monotheistic faiths, Zoroastrianism.
With so many of its followers xenophobically insisting
on their faith being the basis of the West, Polo’s account serves as just
another reminder that Christianity was not only born in the near East but once
looked further in that direction in its foundational stories.