About Me

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Troy Nahumko is an award-winning author based in Caceres, Spain. His recent work focuses on travels around the Mediterranean, from Tangier to Istanbul. As a writer and photographer he has contributed to newspapers and media such as Lonely Planet, The Globe and Mail, The Sydney Morning Herald, The Toronto Star, Counterpunch,The Irish World, The Straits Times, The Calgary Herald, Khaleej Times, DW-World, Rabble and El Pais. He also writes a bi-weekly op-ed column 'Camino a Ítaca' for the Spanish newspaper HOY. His book, Stories Left in Stone, Trails and Traces in Cáceres, Spain is published by the University of Alberta Press. As an ESL materials writer he has worked with publishers such as Macmillan and CUP.

Saturday, June 13, 2020

Siren Songs

Sirens

Strange sounds heard on the Camino a Ithaca, my next installment on the journey. Click over to the original here or the English version below.


I can’t breathe. Three words that make your blood run cold. Three words that instinctively send your hands to your neck and force you to inhale deeply. Three words that have brought out millions into dangerous pandemic streets in protest. Three words that should never have been heard.  

But they were.

The nearly 10 minute long video of a man kneeling on another man’s neck while he pleadingly repeats these words is difficult to watch. It’s a dark look into a place that provokes visceral fear in the viewer and a chilling insight into what takes place when the discourse of ‘us vs. them’ is institutionalised and one man can become ‘the other’.

What makes it so terrifying to me is not only the inherent violence that it displays, but the seeming tranquillity that surrounds the crime. It’s the apparent calm surrounding what from afar might seem like just another ceremonial ritual that takes place all around the world. A scene where dusty streets run red with the blood of sacrificial goats and lambs during religious rights and festivals. The absolute horror comes when you realize that it is not in fact a domestic animal being slaughtered, but a human being.

The additional surprise then comes when you become aware that this isn’t taking place on the sand-swept streets of Jeddah or Khartoum. It is, in fact, a brutal, racial crime being committed, in broad daylight, on a commercial street in a mid-sized city that few would be able to place on a map of the United States.

This is not ‘the other’ committing an act of such barbarism. This is an agent of the law in the most influential and powerful nation on earth. A police officer who does not see his victim as being like him, simply due to a different quantity of melanin in his skin. It’s another chapter of the historical abuse that has been amplified in Trump’s jingoistic vision of America.

If indeed these recurring crimes took place on the streets of Ankara or Tehran, we would be reading about ‘ethnic unrest’ and ‘brutal repression’, while international leaders would be condemning the acts and denouncing the leaders of the fragile state. Yet, until now we have only heard mild voices of concern from EU leaders while glib totalitarian leaders from China to Russia revel in that temporary absence of glare from the human rights spotlight.

A wide ocean separates Spain and the United States and there is an equal gap between the ways the countries view policing. In America the police often view themselves as warriors in an ongoing battle against evildoers. In today’s Spain the blue-shirts are thankfully a nightmare from the past and the police are now viewed as guardians at best and ticket collectors at worst. Only tin-foil hat wearing separatists would equate the disturbances in Catalonia with the scenes seen in cities from New York to Los Angeles.

Oceans, however, can easily be crossed and the ‘us vs. them’ populism that helped make this crime possible thrives on fear. The doctrines of nationalists like Trump are seductive to some and the facile scapegoat of the ‘other’ has, like the sirens,  enchanted disaffected voters from Brasil to Budapest to Warsaw. Given the chance to grow, who knows who will become the next ‘other’?


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