Tales from the Mediterranean. Stories Behind the Images. Award winning Travel Writer Troy Nahumko's writing platform.
About Me
- Troy
- Troy Nahumko is an award-winning author based in Caceres, Spain. His recent work focuses on travels around the Mediterranean, from Tangier to Istanbul. As a writer and photographer he has contributed to newspapers and media such as Lonely Planet, The Globe and Mail, The Sydney Morning Herald, The Toronto Star, The Irish World, The Straits Times, The Calgary Herald, Khaleej Times, DW-World and El Pais. He also writes a bi-weekly op-ed column 'Camino a Ítaca' for the Spanish newspaper HOY. As an ESL materials writer he has worked with publishers such as Macmillan and CUP.
Writing Profile
- Links to Published Pieces
- The Globe and Mail
- Sydney Morning Herald
- Roads and Kingdoms
- Brave New Traveler
- The Toronto Star
- The Straits Times (Singapore)
- Khaleej Times, Dubai
- Traveler's Notebook
- Matador Network
- Calgary Herald
- Salon
- DW-World/Qantara
- Go Nomad
- Qantara.de (German)
- El Pais (English)
- Go World Travel
- The Irish World
- Trazzler
- International Business Times
- HOY (Spanish)
- Teaching Village
- BootsnAll
- Verge Travel Magazine
- EFL Magazine
Wednesday, March 18, 2015
Saturday, March 14, 2015
Fear of Change
Writing in the local paper. Local issues with a global take. I never translate literally and the editor trims at will to make it fit. Here's my version, then theirs.
As I write this, a constant hum drifts up to my fourth floor vigil from
the busy Rua Mayor below. I’ve been to Salamanca many times and in many
different guises. My first visits were made on day trips from Madrid and more
recently I have been coming here to explore the hollowed out basement bars from
behind a guitar. This time it’s different. This time, I’ve been invited to go
behind the beautiful orange stones that make up the University buildings here for an
international language conference. While the hum may be constant, it is in no
way uniform. Down below I can hear the languages of Cervantes mix with those of
Shakespeare and Goethe. People come here from all over the world in search of
the frog and the astronaut on the baroque walls of this homogenized core, yet end up staying for the
life that flows through it. Tradition runs as deep here as it does down the
Cuesta del Marques in Caceres but it seems to me that Salmantinos aren’t afraid to adapt
these glorious renaissance buildings to suit the needs of today. Numerous
parking garages feed into the medieval core and the ten minute stroll from your
car to your destination is far from a chore, no matter how many times you see
those shells on the side of the Casa de las Conchas. Museums and galleries are needed and indeed
serve their purpose but in rare cases to they reflect the here and now of a
city. No matter how modern the exhibition, there is always a sense of the past,
a sense of emptiness in the quiet rooms. Listening to the life below my window, the knee-jerk resistance of many Cacereños to rejuvenating ideas like moving the Escuela Oficial de Idiomas to the
lifeless Palacio de Godoy in the equally moribund barrio de Santiago confuses me. In fact, local resistance to change at all costs
totally bewilders me. Absentee owners in Madrid and Rome are free to do what
they want to do with their palaces that stand empty in the Old Town but this particular palace belongs to the state, to everyone. In this monument in stone we can choose life because without life, without use, without a sense of
now, the monumental old town and the surrounding area will remain just that,
old.
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